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Tenth room
Photography

At an early stage in its development - and reminiscent of the legend of Butades and the origin of painting - the photograph was used to keep the memory of dead relatives and friends alive. But in addition to serving as a "print" or "new shadow", photography also turned its attention to the cast shadow, and in so doing influenced other arts, including painting. As a constructive, expressive, documentary or experimental - and even self-reflecting - element, the shadow is present in the work of Ansel Adams, Francesc Català-Roca, Constantin Brancusi, Brassaï, André Kertész, Dorothea Lange, Man Ray, Alexander Rodchenko and Umbo, among others, exhibited here. This section closes with three photographs by the British contemporary artist Sam Taylor-Wood, based on Bram Stoker's novel, Dracula, with the artist's body in ecstasy supported by a chair which, like the famous vampire, casts no shadow.
Black and White

Constantin Brancusi (1876-1957)
The Beginning of the World, c. 1920
Epreuve gélatino-argentique, 25.6 x 20.1 cm; hors marge : 24.1 x 19.3 cm
Centre Pompidou, Paris. Musée national d'art moderne / Centre de création industrielle.
Legs Constantin Brancusi 1957
© Photo CNAC/MNAM, Dist. RMN / Bertrand Prévost

Self-Portrait

Man Ray (1890-1976)
Black and White, 1926
Copia de 1982
Gelatinobromuro de plata sobre papel, 21.9 x 29.4 cm
Museo Nacional Centro de Arte Reina Sofía, Madrid
Bram Stoker’s Chair II
André Kertész (1894-1985)
Self-Portrait, 1927
Epreuve gélatino-argentique, 25.3 x 20.4 cm; 21.3 x 19.3 cm
Centre Pompidou, Paris. Musée national d'art moderne /
Centre de création industrielle. Don de l’artiste 1978
© Photo CNAC/MNAM, Dist. RMN / Droits réservés
Self-Portrait

Umbo (1902-1980)
Self-Portrait, c. 1930
Epreuve gélatino-argentique, 35.4 x 28.1 cm; 29.2 x 22.1 cm
Centre Pompidou, Paris. Musée national d'art moderne / Centre de création industrielle.
Achat 1980
© Photo CNAC/MNAM, Dist. RMN / Philippe Migeat

The Beginning of the World


Sam Taylor-Wood
(1967)
Bram Stoker’s Chair II, 2005
C-print, 121.9 x 96.5 cm
Courtesy Jay Jopling / White Cube, London