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This section looks at the revival of
the still life, one of the pictorial genres which best
allowed artists to achieve objective representation. It
relates the pictorial solutions formulated by artists
such as Morandi, Casorati and De Chirico or Severini,
Kanoldt and Sheeler in a discursive line that begins with
the most obviously formalist solutions and concludes with
Derain's disturbing still lifes. |
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