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Introduction

Room 1

Room 1 (Introduction) opens with a view of Florence [cat. 1] in which some of the city’s most famous buildings can be recognised. Displayed alongside it are two manuscripts that belonged to Giovanna’s father, Maso di Luca degli Albizzi. The Libro debitori e creditori [cat. 5] records the expenditure on his daughter’s wedding and provides a full description of the bride’s trousseau.

  • The Large View of Florence (Pianta della Catena)
    Attributed to Lucantonio degli Uberti (Florence, active ca. 1500–1526) after a (partially) lost engraving by Francesco Rosselli (Florence, 1448–before 1527). The Large View of Florence (Pianta della Catena), early sixteenth century. Xilography on paper from eight blocks. 578 x 1316 mm Berlin, Kupferstichkabinett, Staatliche Museen zu Berlin; inv. n. 899-100. Bpk/Gëmaldegalerie, SMB/Jörg P. Anders
  • The Reconciliation of the Romans and the Sabines
    The Master of Marradi (active in Florence, ca. 1475–1513). The Reconciliation of the Romans and the Sabines, ca. 1480. Tempera and oil (?) on panel, 45 x 173 cm. Leeds, by kind permission of the Earl and Countess of Harewood and the Trustees of the Harewood House Trust; inv. n. 2001.1.6. “Reproduced by the kind permission of the Earl and Countess of Harewood and the Trustees of the Harewood House Trust”