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The Private Portrait in Renaissance Florence

Rooms 2 and 3

Domenico Ghirlandaio’s talents as a portraitist were praised by Vasari, who singled out his ability to capture the model’s features in a realistic manner. Together with his workshop assistants, Ghirlandaio was responsible for a group of portraits that display a great variety of representational choices. Many of these works are innovative in composition and stylistic approach. The influence of Flemish art, in particular that of Hans Memling, is evident in the female likeness at the Lindenau Museum [cat. 14]. The Portrait of Selvaggia Sassetti [cat. 15], probably conceived by Domenico but executed by his younger brother David, highlights the presence of the sitter, whose gaze is directed in a straight line towards the viewer. Instead the fine Portrait of a Young Woman, from the Museu Calouste Gulbenkian [cat. 21], evokes a more poetic atmosphere. In the case of the Portrait of Giovanna degli Albizzi Tornabuoni [cat. 20], Domenico Ghirlandaio was personally responsible for both the conception of the portrait and its execution. Ghirlandaio communicates the sitter’s grace and captivating dignity in a highly effective manner. For the portrait of Giovanna the painter deliberately employed the traditional profile pose.



Room 2

  • Lorenzo Tornabuoni
    Autor:
    Attributed to Niccolò di Forzore Spinelli, called Niccolò Florentino (Florence, 1430–before 23 April 1514)
    Título:
    Lorenzo Tornabuoni (obverse) / Mercury (reverse), ca. 1485
    Fecha:
    Tipo:
    Bronze, diam. 7.8 cm
    Medidas:
    Washington, National Gallery of Art, Samuel H. Kress Collection; inv. n. 1957.14.890.a,b
    Úbicacion:
    Image © 2009 Board of Trustees, National Gallery of Art, Washington
    Numero de inventario
  • Profile of a Woman
    Autor:
    Piero del Pollaiuolo (Florence, 1441–1496)
    Título:
    Profile of a Woman, ca. 1475
    Fecha:
    Tipo:
    Tempera and oil (?) on panel, 48.9 x 35.2 cm
    Medidas:
    Úbicacion:
    New York, The Metropolitan Museum of Art. Bequest of Edward S. Harkness, 1940; inv. n. 50.135.3
    © The Metropolitan Museum of Art, New York
    Numero de inventario
  • Profile of a Woman
    Autor:
    Sandro Botticelli (Alessandro di Mariano Filipepi) (Florence, 1444/45–1510)
    Título:
    Profile of a Woman, ca. 1480–85
    Fecha:
    Tipo:
    Tempera on panel, 61.3 x 40.5 cm
    Medidas:
    Úbicacion:
    Florence, Galleria Palatina, Palazzo Pitti; inv. n. 1912.353
    “Soprintendenza Speciale per il Polo Museale Fiorentino. Gabinetto Fotografico”
    Numero de inventario



  • Room 3

    Portrait of Selvaggia Sassetti
    Autor:
    Domenico Ghirlandaio (Florence, 1448/49–1494) and a workshop assistant, possibly David Ghirlandaio (Florence, 1452–1525)
    Título:
    Portrait of Selvaggia Sassetti, ca. 1487–88
    Fecha:
    Tipo:
    Tempera and oil (?) on panel, 57.1 x 44.1 cm
    Medidas:
    Úbicacion:
    New York, The Metropolitan Museum of Art. The Friedsam Collection, Bequest of Michael Friedsam, 1931; inv. n. 32.100.71
    © The Metropolitan Museum of Art, New York
    Numero de inventario
  • Portrait of a Young Woman
    Autor:
    Domenico Ghirlandaio (Florence, 1448/49–1494) and workshop
    Título:
    Portrait of a Young Woman, ca. 1490–94
    Fecha:
    Tipo:
    Tempera on panel, 44 x 32 cm
    Medidas:
    Lisboa, Museu Calouste Gulbenkian; inv. n. 282
    Úbicacion:
    © Museu Calouste Gulbenkian, Lisboa. Fotografía: Catarina Gomes Ferreira
    Numero de inventario
  • Brooch in the form of a Pelican
    Autor:
    Franco-Burgundian workshop (probably), mid-fifteenth century
    Título:
    Brooch in the form of a Pelican
    Fecha:
    Tipo:
    Gold, ruby and Diamond, 25 x 38 mm
    Medidas:
    London, The British Museum, Department of Prehistory and Europe; inv. n. AF.2767
    Úbicacion:
    © The Trustees of the British Museum, London
    Numero de inventario